ANTWERP PHOTOGRAPHY MUSEUM FOMU | ‘Early Gaze’ exhibition showcases early days of photography in Belgium

Inspired by an article in local newspaper Gazet van Antwerpen, I went to FOMU or Fotomuseum, Antwerp‘s photography museum, for ‘Early Gaze‘. This exhibition runs until Sunday 1 March 2026.

‘Early Gaze’ casts a fresh light on the rise and development of photography in 19th-century Belgium, tracing how a groundbreaking technological invention reshaped visual culture from its very beginnings. 

The emergence of photography did not merely introduce a new medium; it fundamentally altered the way people perceived themselves, others and the world around them. What began as a marvel of scientific innovation soon evolved into a far-reaching system of representation, capable of producing authority, shaping narratives and exercising control.

The exhibition ‘Early Gaze’ explores the birth of Belgian photography at a moment when the medium was still searching for its purpose and boundaries. From the very first mug shots and early urban views to pioneering applications in the arts, medical science and the justice system, photography rapidly expanded into domains where it carried social, political and ethical weight. 

The exhibition reveals how what initially functioned as an elite pastime—accessible only to a small, privileged group—gradually transformed into a powerful tool for recording, classifying and constructing identity.

Through a rich selection of photographs, objects and archival materials, visitors gain new insight into the photographers who helped shape the visual language of a young nation. ‘Early Gaze’ foregrounds both well-known and overlooked pioneers, placing their work within the broader social and historical context of 19th-century Belgium. Forgotten portraits, early experiments and rarely seen images reveal how photography participated in nation-building, scientific progress and the emergence of modern systems of surveillance and documentation.

Influential

At the same time, the exhibition invites reflection on the enduring impact of these early images. Many of the visual conventions established in the 19th century continue to influence contemporary image culture today. 

Themes such as agency, consent, authorship and power – so often debated in relation to modern photography and digital media – can already be traced back to photography’s earliest decades. ‘Early Gaze’ makes visible how the act of looking, framing and recording was never neutral, but always shaped by social hierarchies and institutional interests.

Reflecting reality

Crucially, ‘Early Gaze’ demonstrates that photography did not simply reflect reality; it actively helped to construct it. From the outset, the medium functioned as an instrument that reinforced the narratives of the ruling class, legitimised authority and normalised particular ways of seeing. By situating early photographs within their original contexts of production and use, the exhibition reveals how power was embedded in the photographic image itself—a legacy that continues to resonate in today’s visual world.

Book

The exhibition is accompanied by the publication ‘Early Gaze’, published by Hannibal Books. This richly illustrated hardcover volume (304 pages, Dutch/English) brings together a wide selection of unique photographs by key figures such as François Braga, Joseph Pelizzaro, Guillaume Claine, Joseph Ernest Buschmann and Edmond Fierlants, alongside many others. 

The book offers further historical context and visual depth, extending the exhibition’s exploration of early photography and its lasting influence. It will be available for €55 in the FOMU shop and online.

A visit

‘Early Gaze’ encompasses a large portion of the museum. The exhibition starts on the 4th floor (European way of counting) and continues on the 2nd. You get to see photos obviously, but also cameras. Don’t forget to visit the camera obscura. 

Videoclips explain some important evolutions of early photography. 

The exhibition is quite ‘classic’. It’s a history of photography. It’s refreshing for FOMU to exhibit something more factual rather arty farty or woolly. I actually learned a few things. 

A bonus is you get to see how Belgium looked like in the early days of the Kingdom. 

Art and museums in Antwerp

Leave a Reply